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Jenůfa
Sun, 05. June 2022, 18:00

Leoš Janáček

Jenufa_20 (c) Bernd Uhlig
Jenufa_20 (c) Bernd Uhlig
Jenufa_28 (c) Bernd Uhlig
Jenufa_28 (c) Bernd Uhlig
Jenufa_40 (c) Bernd Uhlig
Jenufa_40 (c) Bernd Uhlig
Jenufa_45 (c) Bernd Uhlig
Jenufa_45 (c) Bernd Uhlig
+Jenufa_62
+Jenufa_62
Jenufa_53 (c) Bernd Uhlig
Jenufa_53 (c) Bernd Uhlig
Jenufa_54 (c) Bernd Uhlig
Jenufa_54 (c) Bernd Uhlig
Jenufa_66 (c) Bernd Uhlig
Jenufa_66 (c) Bernd Uhlig
Jenufa_67 (c) Bernd Uhlig
Jenufa_67 (c) Bernd Uhlig

The rigid morals of a village community put a young woman under pressure: Jenůfa is pregnant by her lover Števa, but he rejects her and retracts his offer of marriage. Once the child is born, Jenůfa’s stepmother, the village sextoness, is worried about the young woman’s reputation as well as her own future. When Laca, another marriage suitor, offers Jenůfa his hand in marriage, the sextoness thinks that life would be better for all of them without the child …

Leoš Janáček’s third opera, with its echoes of folk music from the composer’s native Moravia, was his first real success and was given the sobriquet of »Moravia’s national opera«. Besides this, Janáček’s music has a special quality: while it explores psychological extremes leading to violence and infanticide, and lays bare characters’ emotions in an unsparing manner, no one is judged. His opera even ends with a final act of forgiveness – a moral that seems virtually impossible after the numerous gruesome revelations and admissions of guilt and attests to Janáček’s humanist stance. »Jenůfa« (in Czech »Její pastorkyňa« – »Her Stepdaughter«) has a special relationship with the Staatsoper Unter den Linden: when it premiered in Berlin in 1924, its breakthrough on the German stage was assured. Following »From the House of the Dead», »Katya Kabanova« and the »Glagolitic Mass« in previous seasons, the engagement with Janáček’s chief works now continues with »Jenůfa«.

Dauer:
approx. 2:00 hrs no interval